Year | Title | Author | Publisher | Issue | Description |
---|---|---|---|---|---|
2009 | Art, and the Art of Teaching | Leigh Buchanan Bienen | TriQuarterly | Issue 134, pp. 7-28 | Chicago is in the middle of a theatrical renaissance, \vith a large diverse community of actors, playwrights, designers and directors living here and making a living here. The simultaneous presence of Steppenwolf Theatre, Lookingglass Theatre, the Goodman Theatre, the Court Theatre, Victory Gardens, Writers' Theatre, as well as Hypocrites, Greasy Joan, the House Theatre, and many, many others, is living proof of this. [read more] |
2022 | Exit, Pursued by a Bear: Life and a Life in the Theater | Leigh Buchanan Bienen | TriQuarterly | Issue 161 | The recent biography of Emily Mann by Alexis Greene, Emily Mann: Rebel Artist of the American Theater (Applause Books, 2021) is about being a specific woman, with a particular background, education, family and apprenticeships, about being a theater artist in a late age. [read more] |
2018 | hang | Leigh Bienen | Women in Theater Journal Online | July 25, 2018 | Originally premiering in 2015 at London’s Royal Court Theater, 'hang' is a play which makes you laugh, or gasp, again, at human frailty, at human foolishness, and at the social and political arrangements and institutions which make us despair, like the weather in April in Chicago. [read more] |
1994 | He Was a Big Boy Still Is | Leigh Bienen | Ontario Review | Vol. 41, Article 15, pp. 38-47 | A dramatic monologue by a White public defender, counseling the mother of a young, mentally-impaired Black defendant. [read more] |
1965 | New American Fiction | Leigh Buchanan Bienen | Indiana University Press | No. 20, pp. 46-51 | Reviews of works by Louis Auchincloss, Saul Bellow, Robert Boles, Richard Brantigan, John Stewart Carter, H. E. F. Donohue, Seymour Epstein, Bruce Jay Friedman, Alison Lurie, Norman Mailer, Wallace Markfield, Hubert Selby, and Anne Tyler. [read more] |
1998 | Technician | Leigh Buchanan Bienen | TriQuarterly | Issue 104, Article 4, pp. 192-271 | A short novel about an unemployed young man from Trenton, New Jersey, who through a series of circumstances applies for and gets a newly-created job of execution technician with the State of New Jersey. [read more] |
2006 | The Record Keepers | Leigh Buchanan Bienen | TriQuarterly | Issue 124, Intro, pp. 9-44 | Introductory essay to a group of papers presented at a conference based on the Chicago Historical Homicide Project and Homicide in Chicago 1870-1930 website. [read more] |
2019 | Leigh Bienen Considers Adaptation in Chicago | Leigh Bienen | Women in Theater Journal Online | 5-Jun | Reviews of two Chicago theatrical productions, 'The Adventures of Augie March' at The Court Theatre; and 'Mary Shelley’s Frankenstein' at Lookingglass Theatre. [read more] |
2016 | Women and Men in Robert Falls’ 2666 | Leigh Bienen | HowRound Theatre Commons | October | A brief commentary on the theatrical work '2666'. [read more] |
1970 | Notes Found in a Klein Bottle | Leigh Buchanan Bienen | Princeton Alumni Weekly | Apr 21, 1970, pp. 17-20 | In this short story about the glory days of the Department of Mathematics at Princeton in the 1920s, the author's assertion that this history of Fine Hall and the mathematics department was found in a Klein Bottle seems improbable. [read more] |
1970 | The Center of International Studies | Leigh Buchanan Bienen | Princeton Alumni Weekly | Mar 10, 1970, pp. 10-12 | An informal history of the Princeton University Center of International Studies. [read more] |
1971 | The Young Scientists | Leigh Buchanan Bienen | Princeton Alumni Weekly | Vol. 1, pp. 8-11 | A description of the work of four academics - Jason Morgan, Henry S. Horn, W. Todd Wipke, and Henry Arbarbanel - at Princteon University in 1971. [read more] |
1971 | Was Einstein Wrong | Leigh Buchanan Bienen | Princeton Alumni Weekly | April 21, 1971, pp. 10-11 | Introductory essay to the work of Professor Robert H. Dicke in the Princeton Department of Physics from 1971. [read more] |